Ashley [Fashion, Portrait]

This shoot was the second of the two I did in one day in my home studio.  Our goal was to create some portraits from the collar bone up, with some jewelry and wonderful expressions.  Ashley rocked it, and the make up by Bryana Doyscher was sublime. 

Though it took us a few photos to find our stride,  we eventually got rolling and having a lot of fun with the different jewelry, and added in wind and props.  Lighting was kept pretty simple: Clamshell in the front, and a single snooted strobe for the background.

I also asked Ashley to bring along a light coloured turtleneck sweater that she felt comfortable in,  as well as a few other clothing options. Here are the results of the shoot:

I put this photo up on 500px and it immediately started getting likes and favourites.  I hit the front page within 22 hours of posting it, my best showing yet on the site.  I'm sure there's something about a pretty girl, good light and a bit of camera gear that appeals to a community of photographers.

I did find a few things in the edit that I need to work on when shooting in the studio, including paying more attention to focus and sharpness.  I had a few photos that would have been my absolute favourites, but they weren't sharp where they needed to be.

Having my own space to help me refine my lighting techniques and create my own projects will be a great benefit, and I plan on doing more work like this.  Stay tuned!

Self Portrait and Nik Analog Efex Pro First Impressions [Portrait]

Basic Portrait, no toning added.  Canon 5D Mark II, 85mm f/1.8 lens.  1/100th, f/4.0, ISO 100

I was going to take the night off last night, relax and play some video games.  In fact, I had a saved file in The Legend of Zelda: Twilight Princess that I was spending some time on to chill out and unwind.  I absent-mindedly deleted it last night while not paying attention.  Well, time to go find something else to do.

I broke out my camera gear and started building a backdrop and light setup.  Had recently purchased a Savage Thunder Grey seamless background for doing portraits, and I haven't had much opportunity to work with it.  Initially, used a beauty dish and reflector to set up a basic clam shell configuration, which worked well but didn't exactly flatter me.  I just don't have the features that get the best out of that lighting setup.

I decided that a feathered lastolite ezybox softbox approach would work well. Additionally, I placed a small flash behind me to light up the background and provide a nice natural vignette.  I was pleased with the final result after about 10 minutes positioning my lighting and 20 minutes of finding the right pose.

Then the fun began.  I chose my image to work with (unprocessed shot at the top of the post) and cleaned up a little acne and stray hairs.  I noticed that Nik software had added Analog Efex Pro to my plug in collection, so I booted it up to see what it was about.

It's pretty damn cool.

Wet plate black and white toning.  Notice the out of focus areas on my shoulder where previously it was in focus.  This is what the "Bokeh" filter is capable of.  I will test this on some other photos.  

It's simple, familiar to anyone who uses Nik plug ins already and has some really great toning options.  You are able to emulate classic cameras (film emulation), toy cameras, wet plate and vintage.  You can take each of these as a starting point, as each one has a different collection of filters to apply.  

In the photo above, I used the Wet Plate Camera and fiddled with some of the settings to get the result you see.  In the wet plate camera, you get the basic adjustments, a really neat bokeh adjustment tool (more on this later), dirt and scratches, plate emulation, vignette and film type. 

If it sounds like a lot, don't worry, it's very straightforward to use and you can toggle the filters on and off if you're not enjoying the look they give you.  I wasn't digging the scratches and plate effects, so I turned them off.  

The following two photos were processed with the "Classic" camera preset, with some film toning added.  You can take the image to the extreme, but I'm actually quite impressed with the way that a subtle tone can be added. 

Very subtle film toning, not too much of a deviation from the original, but slightly desaturated and more detailed. I really like the warm skin tone in this result. 

This has a bit more cyan toning to it, as well as desaturation.  The film grain is more subtle, and the details aren't as enhanced. 
My first impression of Analog Efex Pro is very positive.  The software is very simple, fast loading and easy to use.  You can go from your starting image to something very useful in moments, and the results are professional and clean.

I personally don't care much for the "Toy Camera" or "Vintage Camera" settings, they just seemed a bit tacky/instagrammy.  They may suit a different image, and to each their own.  I was really impressed by the film toning and the Bokeh filter.  What I would really like to see from this software is a bit deeper control over the Black and White conversion, and the ability to use the Bokeh filter in the Classic Camera setting.

So, not a wasted night, even though I'm thoroughly miffed at myself for deleting the Zelda save file.  It's only a video game though, and it will be there tomorrow.

Rosy [Portrait]

I nearly ran out of time to get this shot.  Standing in front of about 80 Sackville Photo Club members, camera in hand, and doing my best to make an image was difficult, but very fun.

The setup is pretty simple: Softbox camera left and in front of Allie, feathered out to provide some nice, soft lighting, while the rear light is a bare flash camera right.  The simple setup is only half the story, because getting there was not without incident. 

I had 30 minutes to get this shot, and explain myself while I got there. While I shot, I had the photos coming up on the large projector behind me so that the  club could observe the changes in my setup as I went along. We explored an ambient solution (which was quickly ruled out), an on camera flash solution (the best option was bouncing the light off of a reflector above the camera, in my opinion), and finally an off-camera flash solution.

I deliberately made some mistakes along the way to help show the club what goes into the process of making one of these projects come together.  Allie was a superstar, she barely batted an eye when she saw how many people there were and performed expertly.  

I was using two flashes, and the softbox mounted flash was working great the entire time. No issues.  The rear light was intended to be a beauty dish for that nice wrapping quality of light, but the dish seemed to be blocking the light from ever reaching the sensor on the flash.  My radio trigger seemed to give up halfway through so I swapped it out.  Eventually, I just took the dish off, lowered the flash power and carried on.  

Given a little more time, we could probably have pushed the image further, with more rose petals, more roses or a different and more dynamic pose.  I also could have fine tuned the light a bit more, but for now I am pretty pleased with what we got under these conditions.  

Edit: Thank you Angie Burgess for sending along some action photos! I'm not sure how you timed it so that the light was going off, but well done!

Daily Photo: 11/12/2013 - Karsh Lighting [Portrait]

This was a tough lighting setup to get right.  I still don't think I got it, but I'm closer now than when I started. The principle is pretty simple: use hard, directional lighting to make a portrait.  Karsh's lighting is theatrical, it's motivated and has purpose.

I used the reflector off of a desk lamp to help direct the front light.  The two flashes behind me were snooted with home-made gaffer tape snoots.

I have to say, this would have been a lot faster had I taken the photos while tethered, and using a remote trigger.  The shallow depth of field is very tough to work with when you're running to and from the camera.

Photoshoot with Jessica

After having some pretty busy patches at work and struggling to find some time to really get photo shoots in, I think I'm seeing the light at the end of the tunnel.  With Solstice approaching, and the oncoming university breaks, I might get some more shoots in.  I will be booking some time off work and I hope to make good use of it to see family, relax and get in some cool shoots.

Sunday Morning I got out to Halifax's downtown to work with Jessica Pick, a fun, easygoing model with a great smile and awesome sense of humour.  We worked around some of the downtown's cool architecture and then expanded into some more woodsy backgrounds in Point Pleasant.

I used a mix of natural light, reflectors and a bit of artificial light on this shoot, but we kept it pretty low key and light.  Gear was pretty simple as well: the city shots were done with a 70-200mm f2.8 and the woodsy shots were done with a 50mm f1.8.  As always, you can scroll through or simply click the first image to bring up a slideshow.