Street Portraiture - Beyond the Natural Light [Portrait]

Last week I watched a very inspirational video [Link is Here] not too long ago which featured Joey Lawrence, a fantastic photographer from Canada now living in Brooklyn.  Joey is a bit of a phenom, he's incredibly talented and very young.  His images boggle the mind with light quality and intrigue.

Like many photographers, I want to be like Joey.  I spent a bit of time learning how he sets up lighting for his portraits and found out that he will make use of artificial light even in the depths of a jungle somewhere, to make sure his subject looks amazing.  He also uses a medium format camera which helps to give his images incredible sharpness where focus is on and a bokeh that melts away where it isn't.

While I don't have profoto heads or battery packs, or a medium format beast camera I did my best to hit the streets of my own city and tried my hand at making portraits of people I just met.  I wanted to have the end result look like they were commissioned works; they should be compelling and well lit, but not so much that the layperson would suspect something wrong with the exposure.

Lighting? I used three flashes in a Westcott Apollo Orb softbox.  The big soft light will flatter most people, and it helps to emulate the deep octa box that is used by so many photographers nowadays.

Robyn and Eli
I want a shallow depth of field to emulate that medium format look, or at least to give my subject some extra isolation off a backdrop.  Three flashes, and a daylight exposure? Hmmm, I'm going to want to push the ISO down to 100 or even 50 when I can.  Manual flashes? that means my shutter tops out at 1/200 of a second, but really it tops out at 1/125 to be on the safe side.

Secret weapon: 3 stop neutral density filter.  I bought it to make water look silky, but it might just come in handy here.  With it I am able to shoot with an aperture of about f/4.0 or wider while keeping my shutter below 1/200 of a second, which should provide the soft bokeh in the background when I shoot with my 50mm lens.

I learned a lot from this approach.  I found that people were very receptive to have someone take their photo if the photographer had an assistant toting around a massive softbox. Maybe it looked more professional or something.  I learned that it's possible to be out on the street and shooting a portrait while taking control of the light, and making it work for you.  I also found out that my ND filter is a great tool to manage exposure.

Best of all I learned something new about some people in my city.  Halifax is such a wonderful spot full of wonderful people.  It will be a sad day if I should have to leave, because by walking the street and talking to the people I've found myself quite welcomed, and it's an amazing feeling.

Leading Ladies Martini Mixer, Valentines Day Edition! [Events]

February 6th was a great evening out with the Leading Ladies of Halifax.  It was a fantastic networking opportunity for all involved, including myself.  Some highlights of the night included photographer Jenn Gregory giving away a boudoir session, the introduction of a fantastic new service called Swapskis and of course, meeting many new and awesome Leading Ladies. 

If you are a Leading Ladies Attendee and you are looking for a new profile pic or Professional Portrait, get in touch!  I offer a 20% discount if you mention Leading Ladies!

 Here's a gallery of the images from the event, click to enlarge, feel free to share but be sure to credit!

Daily Photo: 15/11/2013 - Graceful Descent [Portrait]

When I post a photo on 500px, I usually spend some time browsing around and looking for photos that inspire me, push me or make me want to try new things.  I almost always get dosed with lots of images of sweeping and majestic landscapes, seductive and sensual women, and close-ups of flowers, cats, bugs and water droplets.  Every once in a while I find something more, something that I hadn't thought of, or haven't seen before. 

Check these photos out:

I've done some double exposures, but this stuff is really exceptional.  I love that he took the idea and pushed it, using a pair of images that would stand very well on their own, but also work fantastically well together.  Go check out his 500px page, you won't be disappointed. 

Here's my daily photo for today, starring the stunning Ashley Shaw. I also hosted it on 500px, it's over here.

Technical Information:
Camera: Canon 5D Mark II
Lens: Canon 24-70mm f/2.8L
ISO200, f/4.5, 1/100s
Location: Dingle Tower, Halifax, NS
Model: Ashley Shaw
Assistant: Jacob Connell
Process: Apple Aperture for RAW processing and Nik Color Efex Pro 4 for toning

Daily Photo: 14/11/2013 - Grace [Portrait]

I'm struggling a bit with the new project. It's tough, and since I'm keeping it under wraps, I will only allude to what it is that I'm going through.  

I feel like a scrawny guy who decided on a whim to become a bodybuilder.  I just got myself a kickass gym bag, some new workout clothes, I have my routine planned out and gym membership paid for.  I get to the gym, and all I can bench is 20lbs.  I want to be able to bench 200, but I can only do 20.  I'm feeling pretty self conscious and I'm sure everyone is looking at me thinking "What the hell is that guy doing?".  

Today I (metaphorically) lifted 25lbs. I actually made some headway and I feel a lot better about the project.  The weather is also clearing up, and I am getting more opportunities to push on and be creative.  At any rate, here is today's Daily Photo, taken during a Big Shoot back in September:

Technical Information:
Camera: Canon 5D Mark II
Lens: Canon 50mm f/1.8 II
ISO400, f/1.8 1/80s
Location: Halifax
Process: Apple Aperture for RAW processing and Nik Color Efex Pro 4 for toning